looking ahead...
the coming steps of the research include looking closely at some of the work's outputs.
in the specific:
-outputs from scientific sensors (GSR sensors), revealing information about physiological changes during a performance, and thereby emotional and attentional shift in audiences, in the assumption that a state of doubt or precareity of attention induced a state of vulnerability and intimacy, potentially leading to a bonding happening in the framework of a performance setting.
-transliterations of the numbers obtained with the sensors into sound / light / image.
Initially though recordings, as reference points of how the physiological changes are able to influence the surroundings; at a later stage, live (the "performance feeding back into the performance" through transliterated mediums)
-questionnaires given at the end of a performance (to both audience and performers, comparing experiences), looking at a dialogue between physical and psychological experiences of both artists and spectators.
the coming steps of the research include looking closely at some of the work's outputs.
in the specific:
-outputs from scientific sensors (GSR sensors), revealing information about physiological changes during a performance, and thereby emotional and attentional shift in audiences, in the assumption that a state of doubt or precareity of attention induced a state of vulnerability and intimacy, potentially leading to a bonding happening in the framework of a performance setting.
-transliterations of the numbers obtained with the sensors into sound / light / image.
Initially though recordings, as reference points of how the physiological changes are able to influence the surroundings; at a later stage, live (the "performance feeding back into the performance" through transliterated mediums)
-questionnaires given at the end of a performance (to both audience and performers, comparing experiences), looking at a dialogue between physical and psychological experiences of both artists and spectators.